The shoes are not suitable, only the feet know, the same reason, the lighting design is done well, it is necessary to test with practice. A good lighting design is both ideal and realistic. And often many good design options either become castles in the air, or lack of connotation. How to achieve the perfect combination of ideal and design, technology and creativity, also need to break the barriers of professionalism, the cross-border and collision of knowledge and ideas. Cross-border is an inevitable trend, and different industries have cross-border needs in different periods. Lighting design has been improved with the improvement of people's ideological cognition. When today's thinking mode can't meet the promotion needs of its connotation, cross-border will be followed. The connotation expression of illumination is now considered to be the expression of the light environment, and illumination is only a specific functional manifestation under the concept of light environment. A good light environment contains the artistic atmosphere, the perfect function, and the participation between people and the environment, so it contains a lot of new knowledge points and cross-border connotations. To meet these needs, not only do people who need to be light sources, products, and designers participate, but more artists, environmental planners, and creative people may be involved. The combination of various factors in such a light environment is essentially a combination of various ways of thinking. Of course, why do we have to cross the border? It's not just the collision of thinking. In today's lighting design, it is no longer just a project, a technician, but a director, a scene designer, lighting and lighting are just tools for creating. Under such a platform, the connotation of lighting design becomes rich, the technical means become diverse, and the value space provided to Party A is also widened. The opportunity for social consumption of LED production capacity has been broadened, and the lighting industry has also generated new vitality. If we are limited to lamps, light sources, and lighting products, the space that is bound to play will still be forced, and the influence of cross-border will not be formed. From the exhibition, the lighting design is at the Frankfurt International Lighting Exhibition. The scenes and subdivision of lighting have occupied the mainstream. The simulation of different scenes includes intelligent control, which is very human. This is an international trend and trend. I believe it is also a domestic lighting field. The direction of development. At the recent Guangzhou International Lighting Exhibition, the display of domestic enterprises still mostly stays in the development and research of products. Although the intelligent control and contextual simulation have been published, it is still in its infancy, Bai Wei believes that this It has a certain relationship with the change of domestic concept and the acceptance of consumers. The situational lighting mode has already blossomed in the exhibition, simulating shopping malls, hotels, office buildings, conference rooms, and automatically adjusting the color temperature according to the scene, creating an atmosphere. With the development of economy and technology, the corresponding services are more and more detailed. All environments are based on people's needs. Lighting design is no longer based on simple lighting, and will eventually become a form of future lighting. . The idealism and material needs of lighting designers Many designers are idealistic about design works. This idealism comes from respect for art and thinking about its essence. In the design process, many designers tend to get constant The feedback of the modification, the owner randomly changes according to his own preferences, the integrity of the design works can not be guaranteed. In this case, the artistry of lighting design is to be balanced with its commercial and social nature. Bai Wei believes that the lighting design industry is first and foremost a service industry, which is the service industry and the demand of Party A. The so-called imbalance is actually the gap between the designer's own subjective will and the value of Party A's investment. Whether the government or commercial real estate owners invest in the lighting environment is essentially an investment return behavior, and often the edge of the edge is the art, but it can not be replaced, the main body is the embodiment of value and function. Idealism is a basic driving force for the development of lighting design. Without ideals, this industry will become mediocre. At the same time, this idealism should be the ideal of combining social needs. The reason why lighting design can be developed is essentially a value balance system composed by designers combining lighting and social value enhancement. It is essentially engineering design and architectural design. An environmental value design created by landscape design. Too idealistic is that the designer does not have a good separation from his professional background. The value orientation of the relationship conflicts. This is why a professional cross-border communication platform is needed. Why do designers always have a huge gap with Party A? Will you complain to Party A, will you be ruined by the idea that you think good ideas are being erased? This is a role that many designers do not position themselves well, that is, a value creation body. To do a good job of balancing the relationship, we must first have a bottom line, that is, to meet the basic functional needs, to meet the needs of most people in artistic aesthetics, to understand the investment reporting needs of Party A and the owners, and to sort out the hierarchical relationship of all parties. . The development of lighting design needs to inject more elements. A beautiful painting is always seen. It will be aesthetic fatigue in the morning and evening. This is also the reason why the current lighting design is getting less and less valuable. The customer's aesthetics are constantly improving, and the additional psychological needs for design are constantly increasing, and the standards and concepts of lighting design have remained at the original state, which is also the status quo of domestic lighting design. How to increase the freshness of the painting? Continuously injecting ideas with creative content, that is, providing design elements beyond the psychological needs in the service, providing consumers with a platform and opportunities for re-creation, allowing them to feel the light environment through interactive forms (light environment, WeChat service) A series of design products with Internet thinking, such as light environment interaction and consumer creation of light environment. The needs of the future are a social need. Creating a light environment means strengthening the relationship between people, people and light. Xu Ning believes that the designer provides a related super social platform and super experience pavilion for Party A, which goes beyond the scope of lighting design and its value will also increase. Therefore, designers also need to study environmental psychology, behavioral science, business planning, interactive experience, and lighting design to become a mutual investment behavior with Party A. This design logic is also a must for future lighting designers to learn.